# Bortolami

> 2 upcoming shows at Bortolami in Downtown NYC, including “Maki Katayama, Hikari Ono: As a moment and as an accumulation”. Showtimes, tickets, and directions.

- Section: [NYC Art Galleries](https://bronder.nyc/gallery/index.html.md)
- Address: 39 Walker St, New York, NY 10013 ([Google Maps](https://goo.gl/maps/MAvd7Cb3PF4uVJA88))
- Neighborhood: Downtown
- Web page: https://bronder.nyc/gallery/galleries/bortolami.html
- Markdown: https://bronder.nyc/gallery/galleries/bortolami.html.md
- Last updated: Nov 04, 2026 at 10:27 AM

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## Maki Katayama, Hikari Ono: As a moment and as an accumulation

- When: On view through Dec 19
- Run: Oct 30 – Dec 19, 2026
- Source: https://www.bortolamigallery.com/exhibitions/as-a-moment-and-as-an-accumulation

Bortolami is pleased to present a two-person exhibition of works by Maki Katayama and Hikari Ono in The Upstairs, organized by Richard Aldrich. While working in distinct mediums—from Katayama’s systematic exploration of color classification on canvas to Ono’s wall sculptures, characterized by their meticulously treated surfaces—both artists approach painting as a conceptual framework rather than a set of techniques. Maki Katayama’s paintings examine systems of order, drawing on Sanzo Wada’s A Dictionary of Color Combination s, the landmark 1930s publication that synthesized traditional Japanese color sensibilities with Western color theory. By applying Wada’s color pairings across two related canvases and pressing their wet surfaces together, Katayama explores relationships of color and scale while also introducing chance. This transfer technique and its variations result in compositions that reflect on how color is conveyed and understood.

## Rebecca Morris: #35

- When: On view through Dec 19
- Run: Oct 30 – Dec 19, 2026
- Source: https://www.bortolamigallery.com/exhibitions/35

Bortolami is pleased to announce Rebecca Morris’ third exhibition with the gallery and her thirty-fifth solo exhibition to date. Morris continues to probe the vast range of oil paint’s material possibilities, drawing on decades of experimentation with thin, aqueous color to push the boundaries of contemporary painting. Each work takes shape through an ongoing cycle of trial and revision, extending past the canvas to encompass questions of color, aesthetics, and the conventions of abstraction itself.