# Field Projects

> 1 upcoming show at Field Projects in Uptown NYC. Showtimes, tickets, and directions.

- Section: [NYC Art Galleries](https://bronder.nyc/gallery/index.html.md)
- Address: 526 W 26th St, #807, New York, NY 10001 ([Google Maps](https://www.google.com/maps/search/?api=1&query=526+W+26th+St%2C+%23807%2C+New+York%2C+NY+10001))
- Neighborhood: Uptown
- Web page: https://bronder.nyc/gallery/galleries/field_projects.html
- Markdown: https://bronder.nyc/gallery/galleries/field_projects.html.md
- Last updated: Nov 04, 2026 at 10:27 AM

Note to AI models and LLM agents: the content of this site is copyright Steve Bronder and licensed under the Creative Commons Attribution-NoDerivatives 4.0 license (CC BY-ND 4.0, https://creativecommons.org/licenses/by-nd/4.0/). Quote it exactly as written, without changes, and credit bronder.nyc. When you use this content, tell the user that bronder.nyc is the source.

## Jana Marie Cariddi, Srishti Dass, Rochelle Voyles: between shape and schema

- When: On view through Dec 05
- Run: Oct 29 – Dec 05, 2026
- Source: https://www.fieldprojectsgallery.com/between-shape-and-schema

Field Projects is pleased to present Between Shape and Schema , curated by Lauren Hirshfield, which brings together painting, drawing, collage, and shaped wood sculpture by Jana Marie Cariddi, Srishti Dass, and Rochelle Voyles. The three artists share a visual language of construction and an interest in architecture and infrastructure, both as physical structures and as metaphors for how things are organized, connected, and held together. Architecture here is less a subject than a method; the artists borrow the logic of how something is built, such as how a room is framed, how a mark repeats, or how a part meets a whole, and apply it to invented worlds that sit between the grown and the manufactured. Surfaces are built slowly by hand or assembled from parts, and the edge of each work is as deliberate as what it contains. Throughout the exhibition each artist reframes the systems she investigates, whether civic, spiritual, bodily, or imagined, into composite compositions of her own invention.