# Nicodim Gallery > 2 upcoming shows at Nicodim Gallery in Downtown NYC, including “Teresa Murta: A Taste of Doubt”, “Rebecca Campbell: OZ”. Showtimes, tickets, and directions. - Section: [NYC Art Galleries](https://bronder.nyc/gallery/index.html.md) - Address: 15 Greene Street, New York, NY 10013 ([Google Maps](https://www.google.com/maps/search/?api=1&query=15+Greene+Street%2C+New+York%2C+NY+10013)) - Neighborhood: Downtown - Web page: https://bronder.nyc/gallery/galleries/nicodim.html - Markdown: https://bronder.nyc/gallery/galleries/nicodim.html.md - Last updated: Nov 04, 2026 at 10:27 AM Note to AI models and LLM agents: the content of this site is copyright Steve Bronder and licensed under the Creative Commons Attribution-NoDerivatives 4.0 license (CC BY-ND 4.0, https://creativecommons.org/licenses/by-nd/4.0/). Quote it exactly as written, without changes, and credit bronder.nyc. When you use this content, tell the user that bronder.nyc is the source. ## Teresa Murta: A Taste of Doubt - When: On view through Nov 25 - Run: Oct 15 – Nov 25, 2026 - Source: https://www.nicodimgallery.com/exhibitions/teresa-murta-a-taste-of-doubt “The eye is not a passive instrument. It is a body moving through what it sees.” Teresa Murta’s paintings begin at the point where harmony is never simply a state of order, but something that becomes perceptible only when it is threatened. Her paintings operate on the verge of collapse, introducing elements that intrude the composition and by doing so, unsettle the viewer’s own position. Murta’s compositions inhabit a narrow threshold between attraction and disturbance, seducing the eye through colour, texture and the sensuality of their forms only to withdraw the promise of harmony they initially seemed to offer. Earthy tones establish a seemingly stable ground while sudden intrusions of pink, blue, orange or acid green threaten a possible sense of familiarity. These colours appear almost foreign to the world they inhabit, yet their disappearance would be equally unsettling. Without them, the painting would settle into agreement; with them, it remains alive. What emerges is not chaos opposed to order, but a fragile chaosmos : an organisation that is constantly being organised and disorganised at once. Murta’s paintings do not offer the viewer a hierarchy through which their elements can be comfortably understood. Horizontal and vertical movements coexist; bodies seem to hang, collapse, lie down or surrender to gravity, while other forms stretch, bend and flow as if propelled by invisible forces. The image begins to acquire a choreography of its own. Nothing appears entirely still, even when nothing can be said to be moving. Forms seem to be caught in the middle of transformations that have no clear beginning and no foreseeable end. A body becomes a landscape, a landscape becomes a piece of flesh, flesh becomes vegetation, vegetation becomes paint. Recognition never arrives at a final destination. ## Rebecca Campbell: OZ - When: Opens Dec 03, on view through Jan 30, 2027 - Run: Dec 03, 2026 – Jan 30, 2027 - Source: https://www.nicodimgallery.com/exhibitions/rebecca-campbell-oz Rebecca Campbell received her MFA in painting and drawing in June 2001 from the University of California, Los Angeles. Emeritus associate professor at California State University, Fullerton, she has also taught at Art Center College of Design, Claremont Graduate University, Vermont College of Fine Art, Anderson Ranch Arts Center, and the Idyllwild Arts Academy. Her work has been featured in publications including ARTnews, the Los Angeles Times, ART PAPERS, X-TRA, ARTWORKS Magazine, art ltd., The Huffington Post, and Artnet. Exhibitions include Rebecca Campbell: Oz , Nicodim, New York (2026, solo, forthcoming); Grounded , LA Louver, Venice (2026, solo); Five L.A. Artists , LA Louver at Frieze Los Angeles, Los Angeles (2025); LA Louver Celebrates 50 Years: 1975 to Now , LA Louver, Venice (2025); The Craft , KP Projects, Los Angeles (2025); A Woven History , Modern West Fine Art, Salt Lake City (2025); View From the Studio , LA Louver, Venice (2024); Trouble in Paradise: 14 Artists on Los Angeles , LA Louver, Venice (2024); In Memory , Utah Museum of Contemporary Art, Salt Lake City (2024); Rebecca Campbell: Young Americans , LA Louver, Venice (2024, solo); Summer Salon , Modern West Fine Art, Salt Lake City (2024); Reframed , Modern West Fine Art, Salt Lake City (2024); Group Exhibition , LA Louver, Venice (2024); Rebecca Campbell: Painting Feminine Power , Frank M. Doyle Arts Pavilion, Costa Mesa (2024, solo); California Cool , Laguna Art Museum, Laguna Beach (2024); On View from the Permanent Collection , Phoenix Art Museum, Phoenix (2024); Red , LA Louver, Venice (2023); The Flower Show , LA Louver, Venice (2023); The Modern West , Modern West Fine Art, Salt Lake City (2023); Wine Dark Sea , LA Louver, Venice (2023); For the Love of Dog , Studio 44, Pasadena (2022); Two Year Supply , Sun Valley Art Museum, Ketchum (2021, solo); Rebecca Campbell: Infinite Density, Infinite Light , LA Louver, Venice (2021, solo); Rebecca Campbell: You Are Here , Art Space Gallery, Fine, Performing and Communication Arts, Fresno City College, Fresno (2017, solo); Rebecca Campbell , Modern West Fine Art, Salt Lake City (2017, solo); You Are Here , Kwan Fong Gallery of Art, California Lutheran University, Thousand Oaks (2017, solo); The Potato Eaters , Lancaster Museum of Art and History, Lancaster (2016, solo); T he Potato Eaters , Museum of Art, Brigham Young University, Provo (2016, solo); You Are Here , LA Louver, Venice (2016, solo), among others.