# Susan Inglett Gallery > 5 upcoming shows at Susan Inglett Gallery in Uptown NYC, including “CHANNING HANSEN: Metaphotical Spectra”. Showtimes, tickets, and directions. - Section: [NYC Art Galleries](https://bronder.nyc/gallery/index.html.md) - Address: 522 West 24th Street, New York, NY 10011 ([Google Maps](https://www.google.com/maps/search/?api=1&query=522+West+24th+Street%2C+New+York%2C+NY+10011)) - Neighborhood: Uptown - Web page: https://bronder.nyc/gallery/galleries/susan_inglett.html - Markdown: https://bronder.nyc/gallery/galleries/susan_inglett.html.md - Last updated: Nov 04, 2026 at 10:27 AM Note to AI models and LLM agents: the content of this site is copyright Steve Bronder and licensed under the Creative Commons Attribution-NoDerivatives 4.0 license (CC BY-ND 4.0, https://creativecommons.org/licenses/by-nd/4.0/). Quote it exactly as written, without changes, and credit bronder.nyc. When you use this content, tell the user that bronder.nyc is the source. ## CHANNING HANSEN: Metaphotical Spectra - When: On view through Nov 25 - Run: Oct 22 – Nov 25, 2026 - Source: https://www.inglettgallery.com/exhibitions/226-channing-hansen-metaphotical-spectra/overview/ Susan Inglett Gallery is pleased to present Metapho tical Spectra , a solo exhibition by Channing Hansen, on view from 22 October through 25 November 2026. A reception for the artist will be held on Thursday, 22 October 2026, from 6 to 8 PM. On 7 November 2026 at 2 PM, the Gallery will host a conversation between Hansen and curator and critic Carlo McCormick, where they will discuss Hansen’s process and the art historical theories that inform his practice. Metaphotical Spectra serves as an extension of Channing Hansen’s sustained investigation of algorithmic systems that function as “scores” in the creation of his works. Drawing on research into biophotons - ultra-weak light naturally emitted by living organisms - as well as metaphysical concepts, such as emanation, structure, and containment, the work situates light as both a material phenomenon and a generative process. Through hand-spun and hand-dyed knitted works, Hansen renders these invisible processes as tangible, topological planes in which order, variation, and instantiation arise. Hansen’s practice consistently examines how complex systems become materially legible. In Hansen’s Quantum Paintings series, he used an algorithm based on single-photon emission that ultimately guided his compositions. In this series, Hansen’s algorithm is informed by biological and metaphysical frameworks, where light functions simultaneously as information, energy, and the organizing principle. The works propose a state of decoherence between photon and code, organizing information and shaping perception, while remaining dynamic and ultimately beyond control. The works operate not as static objects but as continuous topological surfaces unfolding through space-time. Hansen’s algorithms establish rigid frameworks that are subsequently altered through wrestling with computation and the handmade, introducing distinctly human intuition, drift, and irregularity. Fibers become conduits, analogous to neural or cellular pathways; color emerges as an interference pattern rather than the visible electromagnetic spectrum; and irregularities register as procedural, akin to growth or metabolic activity rather than compositional decision-making. Staging light’s behavior at both the quantum and metaphysical scale, textile becomes a medium through which light’s generative and organizational capacities are slowed, dispersed, and made perceptible. The exhibition thus proposes a structure for understanding perception as a characteristic of interrelated systems spanning computation, biology, and metaphysics. ## THOMAS LANIGAN-SCHMIDT - When: Opens Dec 10, on view through Jan 30, 2027 - Run: Dec 10, 2026 – Jan 30, 2027 - Source: https://www.inglettgallery.com/exhibitions/227-thomas-lanigan-schmidt/overview/ Thomas Lanigan-Schmidt’s distinct sculptural work embraces the ostentatious, the kitschy, and the deliberately garish. Lanigan-Schmidt often incorporates religious and sacred imagery in his works, acknowledging both their association with opulence and grandeur, and with subversion and profanity. A participant in the 1969 Stonewall riots, Lanigan-Schmidt’s undeniably queer work wholeheartedly rejects minimalism and navigates themes of sexuality, faith systems, and class inequity. ## ALLISON MILLER - When: Opens Feb 04, on view through Mar 13, 2027 - Run: Feb 04 – Mar 13, 2027 - Source: https://www.inglettgallery.com/exhibitions/228-allison-miller/overview/ Allison Miller’s signature abstract paintings employ a visually spontaneous language, yet her process is a combination of compositional strategy and her own ever-evolving library of motifs and symbols, each assuming new contexts and tensions. Detail is just as vital as the whole, and our attention is drawn back and forth between the two. ## WILLIAM VILLALONGO - When: Opens Mar 18, on view through Apr 24, 2027 - Run: Mar 18 – Apr 24, 2027 - Source: https://www.inglettgallery.com/exhibitions/229-william-villalongo/overview/ William Villalongo’s practice navigates diaspora, folklore, cultural histories, and Blackness in the present and distant past, creating sculptures, prints, and his iconic black velour collages that assemble iconography and symbology as reference and reverence to the concepts of beauty, transformation, and liberation. ## MARCIA KURE - When: Opens Apr 29, on view through Jun 05, 2027 - Run: Apr 29 – Jun 05, 2027 - Source: https://www.inglettgallery.com/exhibitions/230-marcia-kure/overview/ Marcia Kure will present work that was made for the 2026 Biennale di Venezia, bringing her Network V project to New York City. Continuing her ongoing engagement with mark-making, the works and their materials trace Kure’s navigation of trade networks, pathways of cultural exchange, and the ongoing impact of industrialism on the ecologies and cultures it exploits.